River: Barb Jungr and the Northampton and Derngate Community Choir raise the roof for Christmas
Substrata of autobiography, moments caught in time and the inherited trove of familial memories lurk beneath the polished surface of Barb Jungr’s new album, Stockport to Memphis. The occasional jagged shard among the softer elements hints at pockets of darkness to counter the exuberance of the title track, a foot-stomping anthem in which she tips a knowing wink at the young woman who sought – and found – escape from small, northern-town blues in music way back when.
So far, so pleasingly typical. Jungr’s ability to juxtapose bittersweet nostalgia with something bleaker is her stock in trade, giving depth and often an ominous power to her re-imaginings of seminal numbers from the great modern songbook. Heroes including Dylan (“Lay Lady Lay”), Joni Mitchell (an aching version of “River” which, reinforced with a choral backing, has been released as a Christmas single), Neil Young (“Old Man”) and Tom Waits (“Way Down in the Hole”) are represented with skill and style.
But the big news here is that Jungr has connected with the muse, and in partnership with regular accompanist and producer Simon Wallace, found space to exercise her song-writing muscles.
The six self-penned songs (which also include a number written with her former Sticky Moments singing partner Michael Parker) provide an intriguing counterpoint to the cornerstones of the modern standards. “Sunset to Break Your Heart” is further evidence of Jungr’s particular way with a break-up song: that characteristic mixture of searing desolation and the cynicism of the survivor. But there is joyful optimism, too, in the promise of “New Life “ and – my highlight of the album – “Urban Fox”, a beautiful and evocative jazz-tinged ode to that maligned creature. Without question, some of her finest work to date.