Dance on my Grave: Sara Syms offers a bleakly lilting invitation
With Fade to Blue, Chicago-born Sara Syms has produced a debut album steeped in Americana. It’s a heady mix of blues-tinged roots, with dashes of bluegrass and jazz, which reflects the diversity of her influences, including Patty Griffin, but is also an emphatic statement of musical independence.
From the storming “Devil Came Around”, through the bleakly lilting “Dance on My Grave”, to the lyrical sensuality of the title track and the irresistible hook of “Waves Crashing”, Syms and her song-writing partner Lynn Verlayne have crafted a rich aural patchwork of numbers.
Each song draws on the insight of experience and explores the many complexities and shades of relationships. These are not the laments of the romantic victim so much as a quest for affirmation and clarity, acknowledging that when it comes to love, nothing is ever simply black and white. Sometimes, as Syms sings in “Free”, you just have to borrow a silver lining.
“Someday” and “Gypsy Dreams” are two songs about longing from different angles, the first bittersweet and hopeful, the second hinting at the exotic distractions of a romance based on fantasy. “One Last Hit” is a suite of fables about the destructive power of addiction, while the sad, poignant beauty of “To Be in Love” explores what we’re missing if we don’t live in the moment.
Fade to Blue is an assured debut album, and an intimate take on universal themes. Syms is thoughtful, honest and touching musical company – never more so than on the final track, with its uncluttered realisation that “All We Have is Now”.