Album review – Claudia Brücken: Where else…

5 Oct

Nevermind: Literate lyrics over a throbbing techno-beat

Where else... the melancholy purity of Claudia Brücken's shines in a new set of self-penned songs

Where else… the melancholy purity of Claudia Brücken’s voice shines in a new set of self-penned songs

It’s nearly 30 years since the melancholy purity of Claudia Brücken’s voice first came to wider attention as one of the main elements of Propaganda’s punchy, cinematic brand of electronica. Three decades on, the German singer’s third solo album Where Else… acknowledges the ongoing significance of electronic music in her career – not least in the throbbing beats of “Nevermind” and “Letting go”, overlayed with literate, earworm lyrics – while drawing subtly on a broader range of influences.

Apart from a pristine version of Nick Drake’s “Day is done”, all the tracks are written by Brücken and the album’s producer John Owen Williams, who has established a strong track record for getting the best out of his female collaborators in the studio (he was also the force behind Petula Clark’s recent success, Lost in You).

Their well-crafted songs are built around strong journey-like narratives which tell tales of shattered trust, reconnection, and optimism rising from adversity, reflecting Brücken’s decision to move away from the synth bank and try out the guitar – an instrument she learned to play during the making of the album – as the central plank of her song-writing. “Walk right in” shimmers with echoes of English folk, while “How do I know” and the funky, guitar-driven “Moon song” are each, in their own way, invitations to intimacy.

The combination of a sharp, contemporary musicality and her preference for story-telling, which also reflects a lifelong admiration for great European artists like Piaf, Dietrich and potent American singer- poets such as Patti Smith and Lou Reed, is fascinating.

Beautifully integrated, delicate layers of sound cradle and support Brücken’s lucid vocals as she explores the complex territory of the troubadour and the chanteuse réaliste. Williams’s skill is such that hints of Velvet Underground darkness blend easily with Abba-esque riffs, creating a bittersweet world in which the emotional climate is never settled for long.

Duel: Brücken’s 1980s stint with Propaganda remains a key influence on her music

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